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  • 1.
    Heijne, Camilla Hélena von
    Uppsala universitet.
    Aqedat Isak: judisk tolkning av Genesis 22:1–191997In: Svensk Exegetisk Årsbok, ISSN 1100-2298, Vol. 62, p. 57-86Article in journal (Refereed)
  • 2.
    Heijne, Camilla Hélena von
    Uppsala universitet.
    Concepts of God and Angelology: An Analysis of the Messeneger of the Lord in Early Jewish Interpretations of Genesis2006Licentiate thesis, monograph (Other academic)
  • 3.
    Heijne, Camilla Hélena von
    Ersta Sköndal University College, Department of Diaconal Studies, Church Music and Theology.
    The Messenger of the Lord in Early Jewish Interpretations of Genesis2010Book (Other academic)
  • 4.
    Heijne, Camilla Hélena von
    Uppsala universitet, Teologiska institutionen.
    The Messenger of the Lord in Early Jewish Interpretations of Genesis2008Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation investigates the ambiguous relationship between God and ‘the angel of the Lord/God’ in early Jewish interpretations of Genesis, for example, Gen 16:7–14; 22:1–19, and 31:10–13. Although the designation ‘the angel of the Lord’ does not appear in Genesis 32, this text is included because it exhibits the same ambiguity as the explicit ‘angel of the Lord-texts’. Moreover, it constitutes an inseparable part of the Jacob saga and the prophet Hosea explicitly identifies Jacob’s opponent as an angel. The study of the identity of ‘the angel of the Lord’ in early Jewish exegesis is set in a wider context as a part of the development of angelology and concepts of God in the various forms of early Judaism (ca. 200 B.C.E.–650 C.E.).

    When identifying patterns of interpretation in the Jewish sources, their chronological setting has proven to be of minor importance. A more significant factor is the nature of the biblical texts. A typical characteristic of the interpretations is, for example, the avoidance of anthropomorphism.

    There are obviously chronologically based differences when comparing the sources with the biblical texts; in Genesis, ‘the angel of the Lord’ generally seems to be a kind of impersonal extension of God, while later Jewish writings are characterized by a more individualized angelology. However, the ambivalence between God and His angel remains in many interpretations. In Philo’s works and Wisdom of Solomon, the ‘Logos’ and ‘Lady Wisdom’ respectively have assumed the role of ‘the angel of the Lord’ in the Bible. A possible conclusion is that although the angelology of Second Temple Judaism had developed in the direction of seeing angels as distinct personalities, Judaism still had room for the idea of divine hypostases.

  • 5.
    Heijne, Camilla von
    Ersta Sköndal University College, Department of Diaconal Studies, Church Music and Theology.
    Angels2015In: The Oxford Encyclopedia of the Bible and Theology / [ed] Samuel E. Balentine, Oxford/New York: Oxford University Press, 2015, p. 20-24Chapter in book (Refereed)
  • 6.
    Heijne, Camilla von
    Ersta Sköndal University College, Department of Diaconal Studies, Church Music and Theology.
    De märkliga giftermålen mellan gudaväsendena och människornas döttrar: Ett urval tidiga judiska och kristna tolkningar av Genesis 6:1-42012In: Plogbillar och svärd: En festskrift till Stig Norin / [ed] Tal Davidovich, Farsta: Molin & Sorgenfrei , 2012, p. 54-65Chapter in book (Other (popular science, discussion, etc.))
    Abstract [sv]

    Kapitel i en antologi/festskrift för Stig Norin, avgående professor i Gamla testamentets exegetik vid Uppsala universitet, teologiska institutionen. Boken är ett samlingsverk av ett flertal forskare verksamma vid Uppsala och Lunds universitet, med flera nordiska lärosäten.

  • 7.
    Heijne, Camilla von
    Ersta Sköndal University College, Department of Diaconal Studies, Church Music and Theology.
    Drömmar och visioner: några tankar kring språkets många dimensioner2015In: Lyfta locket av Uppsala: Antologi med 104 författare från Uppsala Län / [ed] Ola Larsmo, Lars Häger, Leonidas Aretakis & Anisur Rahman, Uppsala: Litteraturcentrum Uppsala , 2015, p. 94-95Chapter in book (Other (popular science, discussion, etc.))
  • 8.
    Heijne, Camilla von
    Ersta Sköndal University College, Department of Diaconal Studies, Church Music and Theology.
    Jewish Monotheism and Presocratic Philosophy: EarlyChristian Persepctives2010Other (Other academic)
  • 9.
    Heijne, Camilla von
    Ersta Sköndal Bräcke University College, Department of Diaconal Studies, Church Music and Theology.
    Mose ser Gud på ryggen: En komparativ analys av Andra Mosebok 34:5-7 i ett urval nutida judiska och kristna bibelkommentarer2018In: Ordet är dig mycket nära: tolkningar av Gamla testamentet / [ed] James Starr; Birger Olsson, Skellefteå: Artos & Norma bokförlag, 2018, 1 uppl, p. 158-174Chapter in book (Other academic)
  • 10.
    Heijne, Camilla von
    Ersta Sköndal Bräcke University College, Department of Diaconal Studies, Church Music and Theology.
    När livet vänder2017In: Välkommen hit, välkommen hem: En antologi med författare från Uppsala län, Sverige och världen / [ed] Lars Häger; Ola Larsmo; Anisur Rahman; Jonas Vaneryd, Uppsala: Litteraturcentrum Uppsala , 2017, 1, p. 58-59Chapter in book (Other (popular science, discussion, etc.))
  • 11.
    Heijne, Camilla von
    Ersta Sköndal University College, Department of Diaconal Studies, Church Music and Theology.
    Philo of Alexandria and his interpretations of Genesis2006Conference paper (Other academic)
  • 12.
    Heijne, Camilla von
    Ersta Sköndal Bräcke University College, Department of Diaconal Studies, Church Music and Theology.
    Profeten: Guds röst i samhället2019In: Politisk och profetisk diakoni: Olika perspektiv på kyrkans röstbärande roll i samhälet / [ed] Anna Ardin; med texter av Jon Bergeå [och 14 andra]., Varberg: Argument Förlag , 2019, 1 uppl, p. 51-61Chapter in book (Other (popular science, discussion, etc.))
  • 13.
    Heijne, Camilla von
    Ersta Sköndal University College, Department of Diaconal Studies, Church Music and Theology.
    The Dreams in the Joseph Narrative and Their Impact in Biblical Literature2014In: 'I Lifted My Eyes and Saw': Reading Dream and Vision Reports in the Hebrew Bible / [ed] Elisabeth R. Hayes; Lena-Sofia Tiemeyer, London: Bloomsbury , 2014, 1, p. 30-46Chapter in book (Refereed)
  • 14.
    Heijne, Camilla von
    Ersta Sköndal Bräcke University College, Department of Diaconal Studies, Church Music and Theology.
    The Messenger of the Lord and the Theophany of the Burning Bush: A Comparative Analysis of Selected Modern Jewish and Christian Commentaries to Exodus 3:1-62018In: "Må de nu förklara ..." Om bibeltexter, religion, litteratur: Festskrift för Staffan Olofsson / [ed] Rosmari Lillas-Schuil; Gunnar Samuelsson; Georg Walser; Tobias Ålöw, Göteborg: Institutionen för litteratur, idéhistoria och religion, Göteborgs universitet , 2018, p. 67-89Chapter in book (Other academic)
  • 15.
    Heijne, Camilla von
    Ersta Sköndal University College, Department of Diaconal Studies, Church Music and Theology.
    The Mystery of the Marriages between the ‘Sons of God’ and the Daughters of Men’. An Analysis of Genesis 6:1– 4.2010Conference paper (Other academic)
  • 16.
    Heijne, Camilla von
    Ersta Sköndal Bräcke University College, Department of Diaconal Studies, Church Music and Theology.
    The Victory Song of Miriam: A Comparative Analysis of  Selected Modern Jewish and Christian Commentaries to Exodus 152021In: The Reception of Exodus Motifs in Jewish and Christian Literature: "Let My People Go!" / [ed] Beate Kowalski; Susan Docherty, Leiden: Brill , 2021, p. 11-35Chapter in book (Refereed)
    Abstract [en]

    Camilla von Heijne compares contemporary Jewish and Christian commentaries on the Song of Miriam in Exod 15:20–21. The methodological approach focuses on synchronic interpretations of the present form of the text. Thus, the comparison criteria are three main theological motifs: the deliverance at the sea as the basic theological paradigm of salvation, the portrayal of God`s activities in the Song of Miriam, and the role of Miriam. Additional criteria are the relationship between prose (Exod 14) and hymn (Exod 15), the relationship between Moses and Miriam, the portrayal of the enemies, and the motif of the mountain (15:7). The selected commentaries are new and written by two committed Jewish and Christian theologians. One central result is that all commentaries interpret the song symbolically as a paradigm of deliverance. This chapter is an important contribution to the Jewish-Christian dialogue.

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